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Review
Hardcover: 514 pages
Publisher: Penguin (July 2010)
Language English
ISBN-13: 978-0-713-99674-6
Product Dimensions: 24 x 16 x 4.8 cm
"Caravaggio: A Life Sacred and Profane gave me immense pleasure and provided constant delight.It is a thrilling lesson in the art of seeing, a sensual exploration of the shadows of Caravaggio's sometimes violent but always Christian world, a detective story with a highly satisfying ending. Andrew Graham-Dixon's ability to have a reader see a painting through written language is a rare and precious gift. The book's rigour and integrity are obvious. I trusted every word and was sorry to turn the final page." (PETER CAREY)
''AG-D is a masterly art historian, not only steeped in his subject, but always alert, enthusiastic and contagiously curious...... This is what makes Graham-Dixon brilliant: he is able to look at a picture painted 400 years ago and extract from it all those meanings that have been obscured by time.'' (CRAIG BROWN, MAIL ON SUNDAY REVIEW)
''Graham-Dixon conveys the force of Caravaggio’s personality and the consequences of his art with a brilliant grasp of detail.'' (CHARLES SAUMAREZ SMITH, TELEGRAPH REVIEW MAGAZINE)
''There have been other biographies of Caravaggio, but Andrew Graham-Dixon’s has to be the one to read. Impressively knowledgeable and well written.'' (CHRISTOPER HUDSON, BOOK OF THE WEEK, DAILY MAIL)
''Mr Graham-Dixon concentrates on the drama of the paintings. He avoids jargon in his writing and is an entertaining art historian, as shown by his popular television series on Spanish and Russian art, and by his weekly art criticism. He took ten years to come to terms with a very obdurate and highly original painter. Time well spent.'' (THE ECONOMIST)
''Graham-Dixon writes expertly and eloquently about the paintings ..... but he is even better at bringing out the lurid detail of Caravaggio’s story.'' (CHARLES NICHOLL, SUNDAY TIMES, CULTURE MAGAZINE)
''As Graham-Dixon dazzlingly illuminates , one can indeed understand a life through art-in this case a life that recreates a place in time-but astonishingly through his painting one might even see the world a little differently.'' (IAN KELLY, THE REVIEW)
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